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	<title>Comments for Atonality.net</title>
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	<link>http://www.atonality.net</link>
	<description>Thomas Bjørnseth - music and influences</description>
	<lastBuildDate>Mon, 23 Jan 2012 21:27:41 +0000</lastBuildDate>
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		<title>Comment on Karlheinz Stockhausen: Klavierstück VIII by Taglied 23.1.2012 &#124; „Nächstens mehr.“</title>
		<link>http://www.atonality.net/karlheinz-stockhausen-klavierstuck-viii/#comment-1269</link>
		<dc:creator>Taglied 23.1.2012 &#124; „Nächstens mehr.“</dc:creator>
		<pubDate>Mon, 23 Jan 2012 21:27:41 +0000</pubDate>
		<guid isPermaLink="false">http://www.atonality.net/?p=8079#comment-1269</guid>
		<description>[...] atonality.net   Geschrieben von matthias. Ver&#246;ffentlicht am Montag, 23.1.2012, um 22:24. Abgelegt unter [...]</description>
		<content:encoded><![CDATA[<p>[...] atonality.net   Geschrieben von matthias. Ver&ouml;ffentlicht am Montag, 23.1.2012, um 22:24. Abgelegt unter [...]</p>
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		<title>Comment on Anton Webern: Drei Stücke für Streichquartett by John Lockwood</title>
		<link>http://www.atonality.net/anton-webern-drei-stucke-fur-streichquartett/#comment-1258</link>
		<dc:creator>John Lockwood</dc:creator>
		<pubDate>Mon, 16 Jan 2012 05:20:07 +0000</pubDate>
		<guid isPermaLink="false">http://atonality.www-service.no/?p=135#comment-1258</guid>
		<description>is this some of the finest music ever written?</description>
		<content:encoded><![CDATA[<p>is this some of the finest music ever written?</p>
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		<title>Comment on Giacinto Scelsi: Aitsi for amplified piano by Giacinto Scelsi &#8211; Aitsi for amplified piano (1974) &#171; CLASSICAL20.COM</title>
		<link>http://www.atonality.net/giacinto-scelsi-aitsi-for-amplified-piano/#comment-1232</link>
		<dc:creator>Giacinto Scelsi &#8211; Aitsi for amplified piano (1974) &#171; CLASSICAL20.COM</dc:creator>
		<pubDate>Thu, 29 Dec 2011 21:02:39 +0000</pubDate>
		<guid isPermaLink="false">http://www.atonality.net/?p=2698#comment-1232</guid>
		<description>[...] Thomas Bjørnseth on ATONALITY.NET]    GA_googleAddAttr(&quot;AdOpt&quot;, &quot;1&quot;); GA_googleAddAttr(&quot;Origin&quot;, &quot;other&quot;); [...]</description>
		<content:encoded><![CDATA[<p>[...] Thomas Bjørnseth on ATONALITY.NET]    GA_googleAddAttr(&quot;AdOpt&quot;, &quot;1&quot;); GA_googleAddAttr(&quot;Origin&quot;, &quot;other&quot;); [...]</p>
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		<title>Comment on Giacinto Scelsi: Aitsi for amplified piano by Ronnie Rocket</title>
		<link>http://www.atonality.net/giacinto-scelsi-aitsi-for-amplified-piano/#comment-1231</link>
		<dc:creator>Ronnie Rocket</dc:creator>
		<pubDate>Thu, 29 Dec 2011 20:54:43 +0000</pubDate>
		<guid isPermaLink="false">http://www.atonality.net/?p=2698#comment-1231</guid>
		<description>Wow. This piece is amazing. I will re-blog it with full credit. I just played some Scelsi a couple of days ago here:
http://classical20.com/2011/12/25/giacinto-scelsi-trio-for-strings-1951/</description>
		<content:encoded><![CDATA[<p>Wow. This piece is amazing. I will re-blog it with full credit. I just played some Scelsi a couple of days ago here:<br />
<a href="http://classical20.com/2011/12/25/giacinto-scelsi-trio-for-strings-1951/" rel="nofollow">http://classical20.com/2011/12/25/giacinto-scelsi-trio-for-strings-1951/</a></p>
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		<title>Comment on César Camarero: Chamber Music by admin</title>
		<link>http://www.atonality.net/cesar-camarero-chamber-music/#comment-765</link>
		<dc:creator>admin</dc:creator>
		<pubDate>Sun, 23 Oct 2011 09:50:10 +0000</pubDate>
		<guid isPermaLink="false">http://www.atonality.net/?p=6597#comment-765</guid>
		<description>Thanks for your interest.There is no e-mail list, so you&#039;ll have to subscribe to the RSS feed or follow me on Twitter,</description>
		<content:encoded><![CDATA[<p>Thanks for your interest.There is no e-mail list, so you&#8217;ll have to subscribe to the RSS feed or follow me on Twitter,</p>
]]></content:encoded>
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		<title>Comment on César Camarero: Chamber Music by Best Music</title>
		<link>http://www.atonality.net/cesar-camarero-chamber-music/#comment-764</link>
		<dc:creator>Best Music</dc:creator>
		<pubDate>Sun, 23 Oct 2011 05:06:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.atonality.net/?p=6597#comment-764</guid>
		<description>I will immediately grab your rss feed as I can not to find your e-mail subscription link or newsletter service. Do you&#039;ve any? Kindly allow me know so that I could subscribe. Thanks.</description>
		<content:encoded><![CDATA[<p>I will immediately grab your rss feed as I can not to find your e-mail subscription link or newsletter service. Do you&#8217;ve any? Kindly allow me know so that I could subscribe. Thanks.</p>
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		<title>Comment on Brian Ferneyhough: String Quartet No 3 by josef sekon</title>
		<link>http://www.atonality.net/brian-ferneyhough-string-quartet-no-3/#comment-275</link>
		<dc:creator>josef sekon</dc:creator>
		<pubDate>Fri, 13 May 2011 19:18:37 +0000</pubDate>
		<guid isPermaLink="false">http://atonality.www-service.no/?p=390#comment-275</guid>
		<description>Perhaps the finest string quartet writing of its genre. I find the notation a bit cluttered, however, and believe the end result could have been accomplished in another way, but that&#039;s just my opinion. Excellent performance of a superb composition! Thank you for sharing the experience on youtube! Josef</description>
		<content:encoded><![CDATA[<p>Perhaps the finest string quartet writing of its genre. I find the notation a bit cluttered, however, and believe the end result could have been accomplished in another way, but that&#8217;s just my opinion. Excellent performance of a superb composition! Thank you for sharing the experience on youtube! Josef</p>
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		<title>Comment on Heinz Holliger: Lieder ohne Worte by jupiterjenkins.com &#187; Blog Archive &#187; murdering some but not all of the music</title>
		<link>http://www.atonality.net/heinz-holliger-lieder-ohne-worte/#comment-148</link>
		<dc:creator>jupiterjenkins.com &#187; Blog Archive &#187; murdering some but not all of the music</dc:creator>
		<pubDate>Mon, 14 Mar 2011 12:28:08 +0000</pubDate>
		<guid isPermaLink="false">http://www.atonality.net/heinz-holliger-lieder-ohne-worte/#comment-148</guid>
		<description>[...] - Atonality.net [...]</description>
		<content:encoded><![CDATA[<p>[...] &#8211; Atonality.net [...]</p>
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		<title>Comment on Henri Dutilleux: Ainsi la nuit by Thomas Bjørnseth</title>
		<link>http://www.atonality.net/henri-dutilleux-ainsi-la-nuit/#comment-3</link>
		<dc:creator>Thomas Bjørnseth</dc:creator>
		<pubDate>Thu, 24 Feb 2011 17:54:28 +0000</pubDate>
		<guid isPermaLink="false">http://atonality.www-service.no/?p=41#comment-3</guid>
		<description>You&#039;ll have to check with the uploader: http://www.youtube.com/user/GreggaryPeccary</description>
		<content:encoded><![CDATA[<p>You&#8217;ll have to check with the uploader: <a href="http://www.youtube.com/user/GreggaryPeccary" rel="nofollow">http://www.youtube.com/user/GreggaryPeccary</a></p>
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		<title>Comment on Henri Dutilleux: Ainsi la nuit by Ali N. Askin</title>
		<link>http://www.atonality.net/henri-dutilleux-ainsi-la-nuit/#comment-2</link>
		<dc:creator>Ali N. Askin</dc:creator>
		<pubDate>Thu, 24 Feb 2011 15:15:40 +0000</pubDate>
		<guid isPermaLink="false">http://atonality.www-service.no/?p=41#comment-2</guid>
		<description>Great piece! Who is playing? #ainsilaniut</description>
		<content:encoded><![CDATA[<p>Great piece! Who is playing? #ainsilaniut</p>
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		<title>Comment on Bill Hopkins: Etudes en Serie by soundkiosk</title>
		<link>http://www.atonality.net/bill-hopkins-etudes-en-serie/#comment-6</link>
		<dc:creator>soundkiosk</dc:creator>
		<pubDate>Thu, 03 Feb 2011 22:50:36 +0000</pubDate>
		<guid isPermaLink="false">http://atonality.www-service.no/?p=139#comment-6</guid>
		<description>I knew Bill Hopkins in Newcastle in the late 70s. What a great man!</description>
		<content:encoded><![CDATA[<p>I knew Bill Hopkins in Newcastle in the late 70s. What a great man!</p>
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		<title>Comment on Morton Feldman: Spring of Chosroes by soundkiosk</title>
		<link>http://www.atonality.net/morton-feldman-spring-of-chosroes/#comment-5</link>
		<dc:creator>soundkiosk</dc:creator>
		<pubDate>Sun, 23 Jan 2011 23:54:09 +0000</pubDate>
		<guid isPermaLink="false">http://atonality.www-service.no/?p=117#comment-5</guid>
		<description>Spring of Chosroes is a great piece. But very varied interpretations available.</description>
		<content:encoded><![CDATA[<p>Spring of Chosroes is a great piece. But very varied interpretations available.</p>
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		<title>Comment on Morton Feldman: Spring of Chosroes by soundkiosk</title>
		<link>http://www.atonality.net/morton-feldman-spring-of-chosroes/#comment-4</link>
		<dc:creator>soundkiosk</dc:creator>
		<pubDate>Sun, 23 Jan 2011 23:52:58 +0000</pubDate>
		<guid isPermaLink="false">http://atonality.www-service.no/?p=117#comment-4</guid>
		<description>Spring of Chosroes is a great piece. But very varied interpretations available.</description>
		<content:encoded><![CDATA[<p>Spring of Chosroes is a great piece. But very varied interpretations available.</p>
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		<title>Comment on Anton Webern: Concerto For Nine Instruments by Kevin</title>
		<link>http://www.atonality.net/anton-webern-concerto-for-nine-instruments/#comment-8</link>
		<dc:creator>Kevin</dc:creator>
		<pubDate>Thu, 13 Jan 2011 22:31:17 +0000</pubDate>
		<guid isPermaLink="false">http://atonality.www-service.no/?p=314#comment-8</guid>
		<description>The aesthetic value of serial composition is not decided by the theory on which it is based, but by the quality of the works it produces. Just as it would be inappropriate to use shortcomings in the theory to conclude that the works were aesthetically insubstantial, so it would hardly suffice to base a defence [sic] of the theory on the works. It may be disconcerting, but it cannot be denied that important works may be produced on the basis of questionable theories.</description>
		<content:encoded><![CDATA[<p>The aesthetic value of serial composition is not decided by the theory on which it is based, but by the quality of the works it produces. Just as it would be inappropriate to use shortcomings in the theory to conclude that the works were aesthetically insubstantial, so it would hardly suffice to base a defence [sic] of the theory on the works. It may be disconcerting, but it cannot be denied that important works may be produced on the basis of questionable theories.</p>
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		<title>Comment on György Ligeti: Artikulation by turingcop</title>
		<link>http://www.atonality.net/gyorgy-ligeti-artikulation/#comment-9</link>
		<dc:creator>turingcop</dc:creator>
		<pubDate>Mon, 03 Jan 2011 06:55:22 +0000</pubDate>
		<guid isPermaLink="false">http://atonality.www-service.no/?p=365#comment-9</guid>
		<description>Artikulation: Ligeti&#039;s sound morphology rendered superbly in a visual score by</description>
		<content:encoded><![CDATA[<p>Artikulation: Ligeti&#8217;s sound morphology rendered superbly in a visual score by</p>
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		<title>Comment on Karlheinz Stockhausen: Klavierstück II by turingcop</title>
		<link>http://www.atonality.net/karlheinz-stockhausen-klavierstuck-ii/#comment-10</link>
		<dc:creator>turingcop</dc:creator>
		<pubDate>Tue, 28 Dec 2010 16:22:34 +0000</pubDate>
		<guid isPermaLink="false">http://atonality.www-service.no/?p=385#comment-10</guid>
		<description>Some excellent modern and contemporary music posted here.</description>
		<content:encoded><![CDATA[<p>Some excellent modern and contemporary music posted here.</p>
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